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“It was really about coming up with a song leave Josh befuddled and be like, ‘Why are you singing about this food item?'” Paul also cites “Shipoopi,” the famous nonsense Buddy Hackett song from T he Music Man that “brings everything to a crashing halt” in that musical.
The folky number is a homage to “It’s a Real Nice Clambake” from Carousel, the type of jaunty tune that’s pointless to the plot and doesn’t flesh out any of the characters, but remains a joyous song-and-dance number. Musically, the song also pays tribute to the lilting “Surrey With the Fringe On Top” from Oklahoma!Īs Melissa and Josh attempt to order lunch, the waitress Betsy (Dove Cameron) asks if they’d like to try the local favorite “Corn Puddin'” -which leads to the townsfolks breaking into a toe-tapping yet completely puzzling tune about their love for the famous local dish.
Then it turns into the “If I Loved You” from Carousel, which chronicles Billy and millworker Julie Jordan’s growing attraction. Thematically, the first part of the song, Paul says, is a nod to “I’m a Bad, Bad Man” from Annie Get Your Gun. Musicals, Paul explains, often have an “I’m not going to fall in love,” song, so he wrote Bailey the tune, “You Can’t Tame Me” in which the character sings about his perpetual bachelor destiny and his longtime refusal to settle down. In Episode 1, Melissa meets and is romanced by the town’s resident “rapscallion,” Danny Bailey (Aaron Tveit), a direct parody of Carousel leading man Billy Bigelow. It went even longer I realized there’s a fine line between irritating Josh and irritating everybody watching!” So they added the ‘Schmiga, Schmiga, Schmiga’ and then spelling out the name of the town in the song. “I said, ‘Let’s go to town with the ending and extend it as much as possible,’ and their eyes lit up. Paul credits Doug Besterman and David Chase, who did the orchestrations and arrangements, for the song’s success. With an earworm melody, huge dancing chorus and singing the name of the title locale with an extra-elongated vowel sound (in Schmigadoon! it’s the “i” instead of the “O” in Oklahoma!), the song spoofs the genre’s idyllic (and simplistic) depiction of small-town life.
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While the series name and premise are a takeoff on Brigadoon, its big opening number, “Schmigadoon!” is a direct homage to the rollicking, roof-raising title song in Oklahoma!, which is actually a second act show-stopper in the oft-revived 1943 musical. “There’s not enough movies about a couple that’s deep into and how hard it is to make it work.” That was the lightning bolt that unlocked it for me,” Paul admits. “It should be about making a relationship work.
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Paul eventually pitched the idea to Andrew Singer, who runs Saturday Night Live honcho Lorne Michaels’ production company Singer suggested the duo should be a couple in a long-term relationship who have hit a rough patch and are facing some strain. In the film, two friends on a game-hunting vacation stumble upon a mystical village in the Scottish Highlands.
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The idea for the series came to Paul almost 25 years ago the title and magical premise was inspired by the bonkers Lerner and Loewe musical Brigadoon, which was transformed into a 1954 Vincente Minnelli movie starring Gene Kelly. The more real they felt, the better the comedy and everything was going to play.” And putting too many jokes in the songs is a betrayal of that in a way. “Everybody in this town, they are sincerely singing their feelings.
“To me, it was about making these songs feel as if they really could have existed in a real musical,” Paul says. In writing songs that largely pay homage to the Broadway musical, Cinco Paul, who cocreated the show with Ken Daurio and wrote the score, says he was aiming for the highest form of parody. (“Well, you seem okay with magical hammers that come back when you call them,” Cecily Strong’s Melissa replies after Josh complains that “people don’t just burst into song in real life.”) (“It’s like The Walking Dead was also Glee!” Keegan-Michael Key’s Josh exclaims.) But at the same time, it isn’t afraid to poke fun at people who mock musicals for their heightened realism. The show, in which a backpacking couple wind up trapped in a town where everyone behaves as if they’re in a golden-age movie-musical, features dialogue, commentary and lyrics that lampoon the silly and heightened tropes of the form. The ebullient new Apple TV+ series Schmigadoon! might be aimed squarely at musical theater fans, but it’s also amazingly the kind of show that will please people who cringe at the perky, bursting-into-song conventions of the genre.